I began photographing in 2018, at a time when a second-hand camera, the Canon Canonet QL19, and a few rolls of film were all I could afford on a student budget. That camera was my first photography teacher. With it, I learned the foundations of everything I apply today in my artistic practice.
In the years that followed, I taught myself through a combination of online PDFs and video tutorials. I received scholarships to attend independent courses to deepen my knowledge and, over time, began to focus on experimental and historical analog photography processes.
Gradually, through a great deal of trial and error, I adapted and simplified these processes for my artistic practice and developed methods and instructions that I apply beyond the studio, through courses, workshops, mentorships, and lectures, exploring these processes through a contemporary, accessible, and sustainable lens.
Since then, I have had the opportunity to teach more than 200 students from multiple countries, both in person and online, in collaboration with various institutions. I encourage participants to examine and expand the boundaries of photography, extending beyond the classroom and into their own artistic practices. Art education allows us to discover new ways of seeing, learning, and growing together.
Interested in scheduling a workshop, course, mentorship, or lecture?
Get in touch
Enrollment open
Film Bleaching: Giving Your Photographic Archive New Life Women Photographers History
Online • November 14 and 21, 2026
Film Bleaching is an experimental technique that uses chlorine bleach to alter processed photographic negatives and positives, creating new possibilities for transforming an image. In this hands-on workshop, participants will experiment with the chemical process, discovering how small interventions can produce unexpected shifts in a photograph. Using images from their own archives, they will work directly with the negative as a physical and creative material, exploring processes of removal, transformation, and reconstruction. Rather than preserving an image exactly as it was made, participants will learn to embrace its instability, allowing familiar photographs to change, break apart, and take on new forms through experimentation.
Closed
Cameraless Photography: Experiments with Photo Paper and Negatives Santa Fe Workshops
Online • October 14 – November 18, 2026
Wednesdays from 5:30PM – 8:00 PM (Mountain Time)
Cameraless photography offers an exciting way to create photographic images using only light, chemistry, and everyday materials. In this workshop, we’ll explore alternative processes such as phytograms, lumen prints, and chemigrams, transforming plants, photographic paper, and simple household materials into unique works of art. Through guided exercises, weekly prompts, adaptations, and feedback tailored to each student’s interests, we’ll nurture an experimental and multidisciplinary approach to image-making.
This class is suited for anyone interested in exploring photography beyond the camera through accessible, low-cost, and sustainable methods. Working from home, participants will experiment with sunlight, organic materials, photographic paper, and chemistry to create images that embrace chance, materiality, and creative discovery.
Please note: Students will receive a list of easy-to-obtain materials needed for the class upon registration.
Past Courses
Santa Fe Workshops Cameraless Photography: Experiments with Photo Paper and Negatives Online • October – November, 2026
StrudelmediaLive New Images from Old: Film Negative Interventions Online • April – May, 2026
Santa Fe Workshops Experimental Photography: Film Soup and 35mm Interventions Online • January – February, 2026
StrudelmediaLive Cameraless Photography: Creating Magic with Alternative Processes Online • June – July, 2024
Past Workshops
StrudelmediaLiveBrewing Images: An Introduction to Film SoupOnline • September 13, 2026
Experimental Photo FestivalFilm Bleaching: Reworking the ArchiveOnline • July 23, 2026
oBarco EstúdioNegative InterventionBrasília, Brazil • July 5, 2026
Festival de Arte Analógica São Paulo (FAASP)Reinventando o ArquivoSão Paulo, Brazil • May 3, 2026
Contorno EstúdioNegative InterventionFlorianópolis, Brazil • December 17, 2025
Museu da Imagem e do Som (MIS)Fotografia DissolvidaSão Paulo, Brazil • November 23, 2025
O JardimFotografia ExpandidaSão Paulo, Brazil • November 22, 2025
Ateliê GavetaFotografia LíquidaBelo Horizonte, Brazil • November 11, 2025
Ateliê GavetaFotografia LíquidaBelo Horizonte, Brazil • October 18, 2025
The Alternative Art SchoolRight Place, Right TimeOnline • November 15, 2025
Espaço Força e LuzAlquimia da ImagemPorto Alegre, Brazil • September 27, 2025
Carinito EstúdioImagem Ativa ImaginativaSão Paulo, Brazil • August 8, 2025
The Alternative Art SchoolLost and FoundOnline • July 5, 2025
Festival de Arte Analógica São Paulo (FAASP)Reinventando o ArquivoSão Paulo, Brazil • May 3, 2025
Hulkes Lane Darkroom and StudioThe Art of Film SoupRochester, United Kingdom • April 19 and April 26, 2025
Cisma LabFilm SoupOnline • March 29, 2025
Estúdio Cão MestreImagem Ativa ImaginativaSão Paulo, Brazil • December 7, 2024
Imagerie Casa de ImagensFilm SoupLisbon, Portugal • August 25, 2024
AdolescentFilm Photography 101Online • October 25, 2020
Introduction to Analog Photography
An introduction to the fundamentals of analog photography, exploring cameras, film types, exposure, developing, and the principles behind image formation.
Film Soup
An experimental process carried out on photographic film before development, using liquids and materials to alter its emulsion and create unpredictable effects in the image.
Negative Interventions
Exploration of the photographic negative after development as a material, using erasure, painting, burning, freezing, erosion, collage, and other interventions to expand and reimagine vernacular and archival photography.
Phytogram
A camera-less photographic technique that uses plant material placed on photographic film before development or light-sensitive paper, exposed to sunlight to create images.
Luminogram
A camera-less photographic technique in which objects are placed directly onto light-sensitive paper and exposed to sunlight to create images.
Chemigram
A camera-less photographic technique that creates images on light-sensitive paper through the direct application of materials and chemical substances to its surface.
Cyanotype
A historic photographic process carried out on watercolor paper, fabric, or other porous surfaces, previously sensitized with a light-sensitive solution based on iron salts, creating images in different shades of blue from negatives, objects, or natural elements.
Professional Development
A space to reflect on artistic practice beyond the creative process, exploring topics such as portfolio presentation, proposal writing, identifying opportunities, communication, and building a professional career.
Testimonials
1-on-1 Mentorship
Online
I offer mentorship for artists who want to develop their practice, work through a specific project, or have a space to think more deeply about their work. Sessions can support all aspects of bringing a project into the world, or focus on professional development. We can work together on research and experimentation, develop new directions within experimental and analog photography, refine editing and presentation skills, establish goals and methodologies, and identify opportunities for exhibitions, publications, and grants.
My own artistic growth has been deeply shaped by the support of mentors, particularly Fehn Foss, Petrija dos Santos, and Alayna Pernell, who supported me during the early stages of my career. Having benefited from their guidance, I believe in passing that support forward and creating spaces for others to access mentorship, knowledge, and community. As part of this commitment, I currently offer free mentorship spots for BIPOC artists through the BIPOC Photography Mentorship Program.
Lectures
Universidade do Estado de Minas Gerais (UEMG)Lecture
Between Reality and Fiction: Photography as a Space for Experimentation
October 23, 2026
Daura Campos presents her research on photography as both a material and a process, reflecting on the status of the photographic image as it exists between reality and fiction. Drawing from the series Cloud Watching, developed through the intervention and transformation of discarded negatives, the artist explores the connections between memory, the intense production and circulation of images in the contemporary world, and the role of experimentation in constructing new narratives. The talk also examines how these works evolve as they move through different contexts, spaces, and audiences, considering the interplay between the artistic process, the act of presentation, and the various possibilities for reading and interpreting each piece.
Alternative ProcessesLecture
Film Soup
May 20, 2025
Daura Campos led a guest lecture for the Alternative Processes Academy, introducing members to experimental film soup techniques for creating kaleidoscopic effects on 35mm negatives. The session explored how homemade chemical baths could transform analog film and reimagine the way images were perceived and remembered.
Festival de Arte Analógica São Paulo (FAASP)Lecture
From Medium to Meaning: Exploring the Potential of the Analog Image
May 2, 2025
Daura Campos explored the relationship between analog photographic materials and the poetic and conceptual dimensions of visual art. Drawing on her artistic practice and ongoing research, she examined the photographic medium as a space for experimentation, memory, and transformation, expanding the narrative and sensory possibilities of the image.
Cluster Photography & PrintPanel with Daura Campos, Chiara Bruni, and Daniela White
Reinterpreting the Archive: Working with Found Images, Discarded Negatives, and Historical Photography
April 13, 2025
The panel brought together three artists working with archival and experimental photographic practices. Through found imagery, discarded negatives, mixed media, and analog processes, the discussion explored how overlooked visual histories could be reinterpreted through materiality, memory, identity, and tactile approaches to image-making.
The Alternative Art SchoolLecture
Visiting Artist Talk with Daura Campos
October 20, 2023
As part of the TAAS Artist Talk Series, Daura Campos shared her evolving artistic practice and its exploration of memory, materiality, and the politics of the image. She discussed collecting discarded negatives, experimenting with film soup, and transforming archival materials into layered visual narratives, considering how images and the memories they hold could be altered, reimagined, and reclaimed.
Gallery 44In Conversation with Artists Daura Campos and Grace Wang
Facilitated by curator Kelsey Myler
June 21, 2022
Daura Campos and Grace Wang discussed how their experimental analog practices engaged with ideas of space, home, belonging, and the physical and emotional experience of in-between spaces in the context of their duo exhibition in the gallery. Drawing on their distinct lived experiences, the artists reflected on identity, displacement, and the notion of safe spaces.