I began photographing in 2018, at a time when a second-hand camera, the Canon Canonet QL19, and a few rolls of film were all I could afford on a student budget. That camera was my first photography teacher. With it, I learned the foundations of everything I apply today in my artistic practice.

In the years that followed, I taught myself through a combination of online PDFs and video tutorials. I received scholarships to attend independent courses to deepen my knowledge and, over time, began to focus on experimental and historical analog photography processes.

Gradually, through a great deal of trial and error, I adapted and simplified these processes for my artistic practice and developed methods and instructions that I apply beyond the studio, through courses, workshops, mentorships, and lectures, exploring these processes through a contemporary, accessible, and sustainable lens.

Since then, I have had the opportunity to teach more than 200 students from multiple countries, both in person and online, in collaboration with various institutions. I encourage participants to examine and expand the boundaries of photography, extending beyond the classroom and into their own artistic practices. Art education allows us to discover new ways of seeing, learning, and growing together.

Interested in scheduling a workshop, course, mentorship, or lecture?

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Enrollment open

Film Bleaching: Giving Your Photographic Archive New Life Women Photographers History

Online • November 14 and 21, 2026

Film Bleaching is an experimental technique that uses chlorine bleach to alter processed photographic negatives and positives, creating new possibilities for transforming an image. In this hands-on workshop, participants will experiment with the chemical process, discovering how small interventions can produce unexpected shifts in a photograph. Using images from their own archives, they will work directly with the negative as a physical and creative material, exploring processes of removal, transformation, and reconstruction. Rather than preserving an image exactly as it was made, participants will learn to embrace its instability, allowing familiar photographs to change, break apart, and take on new forms through experimentation.

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Closed

Cameraless Photography: Experiments with Photo Paper and Negatives Santa Fe Workshops

Online • October 14 – November 18, 2026

Wednesdays from 5:30PM – 8:00 PM (Mountain Time)

Cameraless photography offers an exciting way to create photographic images using only light, chemistry, and everyday materials. In this workshop, we’ll explore alternative processes such as phytograms, lumen prints, and chemigrams, transforming plants, photographic paper, and simple household materials into unique works of art. Through guided exercises, weekly prompts, adaptations, and feedback tailored to each student’s interests, we’ll nurture an experimental and multidisciplinary approach to image-making.

This class is suited for anyone interested in exploring photography beyond the camera through accessible, low-cost, and sustainable methods. Working from home, participants will experiment with sunlight, organic materials, photographic paper, and chemistry to create images that embrace chance, materiality, and creative discovery.

Please note: Students will receive a list of easy-to-obtain materials needed for the class upon registration.

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Past Courses

Past Workshops

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Introduction to Analog Photography

An introduction to the fundamentals of analog photography, exploring cameras, film types, exposure, developing, and the principles behind image formation.

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Film Soup

An experimental process carried out on photographic film before development, using liquids and materials to alter its emulsion and create unpredictable effects in the image.

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Negative Interventions

Exploration of the photographic negative after development as a material, using erasure, painting, burning, freezing, erosion, collage, and other interventions to expand and reimagine vernacular and archival photography.

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Phytogram

A camera-less photographic technique that uses plant material placed on photographic film before development or light-sensitive paper, exposed to sunlight to create images.

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Luminogram

A camera-less photographic technique in which objects are placed directly onto light-sensitive paper and exposed to sunlight to create images.

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Chemigram

A camera-less photographic technique that creates images on light-sensitive paper through the direct application of materials and chemical substances to its surface.

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Cyanotype

A historic photographic process carried out on watercolor paper, fabric, or other porous surfaces, previously sensitized with a light-sensitive solution based on iron salts, creating images in different shades of blue from negatives, objects, or natural elements.

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Professional Development

A space to reflect on artistic practice beyond the creative process, exploring topics such as portfolio presentation, proposal writing, identifying opportunities, communication, and building a professional career.

Testimonials

I’ve been following Daura’s work for quite some time and was really looking forward to this workshop here in Belo Horizonte, and I can say it exceeded all expectations! Her teaching style is incredible: clear, accessible, and very easy to follow, even for those with no prior experience. What I loved most was how generous she was in sharing her processes, tips, and insights, always remaining open to dialogue. The interaction among the participants was also incredibly enriching, creating a relaxed and collaborative atmosphere. By the end, we were able to put everything we’d learned into practice, and seeing the results take shape was simply thrilling. A wonderful experience from start to finish!
Larissa Bicalho
I took part in the workshop, and it was a great experience! I loved learning about the processes of working on negatives; Daura was an excellent instructor who knew exactly how to guide us and share her knowledge. I was very happy with the result and excited about the various possibilities this technique offers.
Camila Bicalho
The workshop was incredible, as was the way Daura shared her knowledge. There was a wealth of information for those just starting out in the world of negative interventions; it was truly valuable. I am grateful to her for sharing this with us; it is fascinating research!
Sarah Barboza
I really enjoyed the workshop. Daura was attentive and explained the process intuitively, which encouraged us to explore and play around with the experiment. I’m usually a bit shy about sharing my photographic results, but she put me completely at ease. It was great to learn about the concept, and I’ll definitely keep exploring my negatives. I found it interesting to see how this practice can give new meaning to photos I hadn’t liked before, while also revealing new perspectives on the ones I already appreciated.
Felipe Furquim
Thank you to Daura for the workshop. I especially appreciated the resources she provided, which inspired me to dig deeper into my memories, and to explore the theme of preserving memory and building an identity from the shattered pieces of fading recollections. This resonated deeply with my feelings of longing for a place I belong to, one that I only know through the stories of my grandparents. The workshop opened my eyes to new ways of interpreting personal narratives and engaging with found photographic archives.
Abeer Aref
The workshop expanded my perception of what is possible with analog photography. Working on 35mm film showed me that the process can go beyond the already wonderful act of capturing a memory and developing the image. It is also a way to play, to give new meaning to, and to transform something that seemed already finished. For someone like me—who finds beauty precisely in the unpredictability of analog photography—these experiments made the process even more interesting. The workshop was fun, relaxed, and highly inspiring, even for those who, like me, treat photography merely as a hobby. Daura’s teaching style is excellent, and the group shared such powerful moments of connection that I even walked away with new friends. I highly recommend it!
Thiago Mauricio
Participating in the workshop was my first hands-on experience with negative interventions, and it was simply fascinating. Daura Campos has an incredible talent for simplifying her experimental techniques and making them truly captivating. The digitized result of the work we created together, along with the kit for future projects, was an exceptional finishing touch. An unmissable experience for any analog photography lover!
Julio Costa
Learning the basics of alternative processes with Daura has been a greatly educational and enriching experience. Interacting with her about the how, why, and what of photography has added invaluably to how I see through a viewfinder today. She has been very generous, kind, and understanding of my needs during our discussions. Overall, it has been a rewarding experience with possibilities of collaboration in the longer term.
Rajdeep Bhowmik
Daura Campos is a gifted artist and an organized instructor who creates a learning environment that encourages curiosity, experimentation, and growth. I have taken several of her online classes, and in each class I have been challenged to push the boundaries of my alternative photographic practice. She belongs to an exciting movement of experimental image-makers who treat film and photographs as materials to be altered and reimagined. She dares you to rip, paint, scratch, bleach, dye, and collage materials as an act of deconstruction and reconstruction. The ecological awareness and spirit of risk-taking that defines her work inspires me to take chances and explore my practice more deeply.
Kirsten Murphy

1-on-1 Mentorship

Online

I offer mentorship for artists who want to develop their practice, work through a specific project, or have a space to think more deeply about their work. Sessions can support all aspects of bringing a project into the world, or focus on professional development. We can work together on research and experimentation, develop new directions within experimental and analog photography, refine editing and presentation skills, establish goals and methodologies, and identify opportunities for exhibitions, publications, and grants.

My own artistic growth has been deeply shaped by the support of mentors, particularly Fehn Foss, Petrija dos Santos, and Alayna Pernell, who supported me during the early stages of my career. Having benefited from their guidance, I believe in passing that support forward and creating spaces for others to access mentorship, knowledge, and community. As part of this commitment, I currently offer free mentorship spots for BIPOC artists through the BIPOC Photography Mentorship Program.

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Lectures

Universidade do Estado de Minas Gerais (UEMG)LectureBelo Horizonte, Brazil • 2026

Between Reality and Fiction: Photography as a Space for Experimentation

October 23, 2026

Daura Campos presents her research on photography as both a material and a process, reflecting on the status of the photographic image as it exists between reality and fiction. Drawing from the series Cloud Watching, developed through the intervention and transformation of discarded negatives, the artist explores the connections between memory, the intense production and circulation of images in the contemporary world, and the role of experimentation in constructing new narratives. The talk also examines how these works evolve as they move through different contexts, spaces, and audiences, considering the interplay between the artistic process, the act of presentation, and the various possibilities for reading and interpreting each piece.

Alternative ProcessesLectureOnline • 2025

Film Soup

May 20, 2025

Daura Campos led a guest lecture for the Alternative Processes Academy, introducing members to experimental film soup techniques for creating kaleidoscopic effects on 35mm negatives. The session explored how homemade chemical baths could transform analog film and reimagine the way images were perceived and remembered.

Festival de Arte Analógica São Paulo (FAASP)LectureSão Paulo, Brazil • 2025

From Medium to Meaning: Exploring the Potential of the Analog Image

May 2, 2025

Daura Campos explored the relationship between analog photographic materials and the poetic and conceptual dimensions of visual art. Drawing on her artistic practice and ongoing research, she examined the photographic medium as a space for experimentation, memory, and transformation, expanding the narrative and sensory possibilities of the image.

Cluster Photography & PrintPanel with Daura Campos, Chiara Bruni, and Daniela WhiteLondon, UK • 2025

Reinterpreting the Archive: Working with Found Images, Discarded Negatives, and Historical Photography

April 13, 2025

The panel brought together three artists working with archival and experimental photographic practices. Through found imagery, discarded negatives, mixed media, and analog processes, the discussion explored how overlooked visual histories could be reinterpreted through materiality, memory, identity, and tactile approaches to image-making.

The Alternative Art SchoolLectureOnline • 2023

Visiting Artist Talk with Daura Campos

October 20, 2023

As part of the TAAS Artist Talk Series, Daura Campos shared her evolving artistic practice and its exploration of memory, materiality, and the politics of the image. She discussed collecting discarded negatives, experimenting with film soup, and transforming archival materials into layered visual narratives, considering how images and the memories they hold could be altered, reimagined, and reclaimed.

Gallery 44In Conversation with Artists Daura Campos and Grace WangToronto, Canada • 2022

Facilitated by curator Kelsey Myler

June 21, 2022

Daura Campos and Grace Wang discussed how their experimental analog practices engaged with ideas of space, home, belonging, and the physical and emotional experience of in-between spaces in the context of their duo exhibition in the gallery. Drawing on their distinct lived experiences, the artists reflected on identity, displacement, and the notion of safe spaces.

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